Mid: ±12dB Peak @ 0.4, 0.8, 1.5, 3, 5kHz, High: ±12dB Peak/Shelf @ 2.5, 5, 7, 10, 12.5, 15, 20 kHz, Mid: ±12dB Peak @ 0.2, 0.4, 0.6, 0.8, 1.5, 3, 5kHz, Low: ±12dB Peak/Shelf @ 30, 40, 50, 100, 200, 300, 400Hz, Low-Mid: Peak @ 75, 150, 180, 240, 500, 700Hz, 1Khz, Mid-High: Peak @ 0.8, 1.5, 3, 5, 8, 10, 12.5kHz, High: ±12dB Peak/Shelf @ 2.5, 5, 7, 10, 12.5, 15, 20kHz. The Purple TAV is smoother for my money. Yet another API modern classic, the 560 is a discrete 10-band graphic EQ - originally conceived for the API consoles in the 60s and 70s. The lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. When Do I Use What? Seamlessly add EQ to your IR mix with the twist of a knob. Extremely fast to set and reset using accurate zero detents, the curve-shaping potential of the 560 … API’s proprietary “Proportional Q” intuitively widens bandwidth at lower boost/cut levels and narrows it at higher levels, giving you more musical control over precise bands of your mix. With 10 bands extending from 31Hz up to 16kHz in octave ranges. Based on the original 1969 API 560 EQ Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. EQ can also be used in interesting, creative ways such as high/low pass filters. I did. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sampled during impulse response capture. It is also ideal for studio and live sound applications, where a professional result is required. format_quote The EQ circuit that was originally built to be used in the consoles in the '60s and '70s, nowadays became one of the most sought-after 500 series units. I do like the 250 & 500hz and 1k on the 560 though. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. For precision equalization with unmatched versatility, turn to the EQ … Slate Digital recently released the FG-A, a lightweight version of the API 550B that seamlessly integrates with your Virtual Channel Strip. The API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. For most of the 70's and 80's, every remote recording console that API manufactured used this versitile graphic EQ. VAT contact_support. I have had both old and new 560s. The king of thumb wheel graphic EQs for my money is the Aengus (but they are like rocking horse poop - I have been looking for a second one to make a pair for about ten years now). A-SERIES modules require the mixIR³. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired. Audient ASP880 Vs Focusrite ISA 828 - Is the ISA really worth triple the price. This quality allows an engineer the flexibility to bring along specialized EQ effects to any situation: 550A, 550b or 560. Of course, the 2520's ability to drive low … So where do you use your LCs vs your 560s? For example: adding EQ can turn a dull, thudding kick drum into a rounded, chest-pounding kick. Shipping & VAT. Originally conceived for use in API consoles of the ’60s and ’70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. Frequency centers at: 31, 63, 125, 250, 500Hz, 1kHz, 2, 4, 8, 16kHz. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. This is a graphic EQ … I would sell my 560 if you are interested, What's on your master bus? So, I’m leaning towards the 560, mostly because of the frequencies in the low end. With a wide range of 500 mounting options, from racks to consoles, the 560 … The 560's signature … It‘s one amazing sonic screwdriver. Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 Discrete 10 Band Graphic EQ is a unique device designed to accomplish tasks that no other EQ can. I like them, a lot actually, but what are you going to use it for? This design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. €580.00. Good. After a few months I began to experiment with the API 560 on kick, snare and vocals. With a wide range of 500 mounting options, from racks to consoles, the 560 … I found the A Design EmPeQ (see my other reviews) better suited for both kick and vocal but LOVED the 560 on snare. (analog only please). EQ-PG is IK Multimedia’s take on the API 560 Graphic EQ. This classic console EQ takes the guesswork and "fishing expeditions" completely out of tonal shaping, giving you 10 tried-and-true frequency points and smooth, musical curves to carve out the real estate for your most important tracks. With a wide range of 500 mounting options, from racks to consoles, the 560 … 560 Graphic EQ With ten bands of graphic EQ, the 560 EQ is ideal for shaping your mix with surgical precision. It delivers that "one-of-a-kind" API sound, precision easy-set filtering and high headroom in a very small package. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. The frequencies of the 560 are spaced out in octave increments, which means from one band to the next, the frequency is either doubled or halved. Built around IRs from a vintage API 550 equalizer. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. €696.00 incl. description. The API 560 was originally conceived for use in API consoles of the 60s and 70s. Subscribe to our newsletter and get a free sample pack of IRs. With a large amount of headroom from the 2520 op amp circuit and providing that american API sound. I still miss 560 1k! The API 560 was created to fit all appplications for the professional engineer. The original is a 10-band Equalizer for the 500-series lunchbox format, which is designed to fit a lot of control into a small form factor. The API 560 is a quintessential 500 Series graphic EQ that's as hard to screw up as it is easy to use. This plug-in is modeled after the API 560 hardware equalizer. Seamlessly add EQ to your IR mix with the twist of a knob. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. When you buy products through links across our site, we may earn an affiliate commission. Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. API 560 is a great piece. As with the 550a and 550b they also have a proportional Q making them a very versatile tool. Didn't get on with either of them. With a wide range of 500 mounting options, from racks to consoles, the 560 … The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. Great pieces, but I miss the pointiness I get from my API 5500 and my CAPI BT50s. This re-issue design has been taken from the original blue prints and spec … Built around IRs of an API 560, graphical EQ. I really want something to eq kick and bass. Thanks for your response, as it was very helpful. You can really dial in the crack with this EQ and get rid of any other freq that is just not needed in your mix. Based on the original 1969 API 560 EQ. The extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. There are many free EQ VST plugins out there, some of which are surprisingly powerful and versatile, and can be capable of creating great EQ effects similar to commercial EQ … Re-issue of the 1969 API 560 EQ; Originally conceived for use in API Consoles of the 60's and 70's, the API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. 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